THE HANGOVER REPORT – Slightly dwarved at the Armory, the freewheeling stage adaptation of THE FAGGOTS AND THEIR FRIENDS casts its sensuous spell

The Park Avenue Armory’s massive drill hall is a space that begs to be utilized to its extravagant physical potential. With such an expanse, the possibilities are almost limitless — … Continue Reading →

VIEWPOINTS – Dancing in and out of the closet: TERE O’CONNOR and CALEB TEICHER reflect their queer identities in their dance aesthetic

This week, I attended a pair of dance performances that expressed queerness in fascinatingly distinct ways. Seen side by side, they chronicle the evolution of dance from being a reaction … Continue Reading →

VIEWPOINTS – Well meaning Americans pushed to the edge of sanity in Chris Gabo’s THE SURGEON AND HER DAUGHTERS and Scott Organ’s DIVERSION

Currently playing Off-Broadway are two new plays — Chris Gabo’s The Surgeon and Her Daughter and Scott Organ’s Diversion — that depict well meaning Americans pushed to the edge of … Continue Reading →

THE HANGOVER REPORT – CHEYENNE JACKSON at Carnegie Hall: Joyously fulfilling a lifelong dream as his authentic self

This past Monday, Cheyenne Jackson made his highly anticipated Carnegie Hall debut in an eclectic concert that found the stage and screen star joyously fulfilling his lifelong dream — emphatically … Continue Reading →

VIEWPOINTS – Distinctively French, American: William Christie’s LES ARTS FLORRISANT and a Gustavo Gimeno-led NY PHILHARMONIC

This past weekend, two music ensembles strove, respectively, to evoke distinctly French and American stylings. These would be William Christie’s early music specialists Les Arts Florrisant at the Brooklyn Academy … Continue Reading →

VIEWPOINTS – Cunning deviousness at the heart of artistic and political success: Examining the moral corruptness that fuel KYOTO and PRACTICE

This fall, Off-Broadway has delved into the heart of darkness, particularly in two new works that investigate the cunning deviousness that often fuels success and so-called progress. These would be … Continue Reading →

THE HANGOVER REPORT – Jack Thorne’s deeply humanistic A CHRISTMAS CAROL returns, this time starring Michael Cerveris as Scrooge

No holiday season in the city would be complete without at least a handful of stage iterations of Charles Dickens’ A Christmas Carol on tap. Over the last decade or … Continue Reading →

THE HANGOVER REPORT – GOTTA DANCE! takes a nostalgic choreographic trip down memory lane through the various eras of the American musical

This week, The York Theatre and American Dance Machine’s co-production — in association with producer Riki Kane Larimer — of Gotta Dance! opened Off-Broadway at the Theatre at St. Jean’s … Continue Reading →

VIEWPOINTS – ‘Tis the season: Broadway’s AMBER IMAN and CHRISTINE EBERSOLE kick off the holidays with their cabaret shows

In terms of nightlife entertainment, this week saw the first signs of the Christmastime holiday peaking through with Broadway favorites Amber Iman and two-time Tony-winner Christine Ebersole unveiling their latest … Continue Reading →

VIEWPOINTS – Sometimes less is more: Semi-staged presentations of Jeanine Tesori’s BLUE and Marvin Hamlisch’s SWEET SMELL OF SUCCESS hit the mark

In recent weeks, I attended semi-staged presentations of Jeanine Tesori’s 2019 opera Blue and Marvin Hamlisch’s underrated 2002 musical adaptation of Sweet Smell of Success. With the focus squarely on … Continue Reading →