THE HANGOVER REPORT – The stage adaptation of TRAINSPOTTING is an excessive gross-out fest that’s ultimately harrowing stuff

Last night, the stage adaptation of Transpotting – based on the novel by Irvine Welsh, which was also turned into a cult favorite film by director Danny Boyle in 1996 – opened Off-Broadway at … Continue Reading →

THE HANGOVER REPORT – Elizabeth A. Davis’s bluegrass musical MY NAME’S NOT INDIAN JOE is musically accomplished, but the book needs further attention

Elizabeth A. Davis – a Tony-nominee for Best Featured Actress in a Musical for Once –  is one of the most beautiful and talented musical theater actresses working in New York … Continue Reading →

THE HANGOVER REPORT – Lucida Childs’ hypnotic AVAILABLE LIGHT celebrates bodies in motion, devoid of human volatility

Lucinda Childs is one of the pioneers of American modern dance. Her ascent to prominence largely mirrors the rise of the minimalist movement in classical music. Indeed, it’s hard to … Continue Reading →

THE HANGOVER REPORT – Six Tall Women: Tracy Letts’ magnificent MARY PAGE MARLOWE astutely explores the nature of identity

There is no doubting that Tracy Letts is one of America’s great writers for the stage. His early career as a playwright – Mr. Letts is also a rather fine actor – … Continue Reading →

THE HANGOVER REPORT – Encores! Off-Center’s moving revival of GONE MISSING: Michael Friedman comforts us from beyond the grave

Last night, I caught a revival of The Civilian’s Gone Missing, the second offering of this summer’s wonderfully-curated Encores! Off-Center series at New York City Center (the first was a … Continue Reading →

THE HANGOVER REPORT – The practically perfect revival of Miles Malleson’s CONFLICT just may well be the Mint’s crowning achievement

Mr. Malleson’s 1925 play – which, thanks to the Mint, is enjoying its long-last New York debut – takes place in London between the two world wars and depicts the lead up … Continue Reading →

THE HANGOVER REPORT – Ian Allen’s sly solo show LAURA BUSH KILLED A GUY is a sardonic but loving portrait

This past weekend, I caught one of the final performances of the provocatively-titled Laura Bush Killed a Guy, a solo show written by Ian Allen and starring Lisa Hodsoll as the titular First … Continue Reading →

THE HANGOVER REPORT – Lust! Love! Beauty!: SKINTIGHT continues Joshua Harmon’s impressive winning streak

Last night, I caught Joshua Harmon’s latest play Skintight at the Laura Pels Theatre via Roundabout Theatre Company. Roundabout has had a strong relationship with Mr. Harmon, having produced three out of … Continue Reading →

THE HANGOVER REPORT – Ratmansky’s WHIPPED CREAM is just that, to giddy perfection

Last night at the Metropolitan Opera House, I attended the opening night of this week’s run of Whipped Cream, Alexei Ratmansky’s absolutely delectable confection for American Ballet Theatre. The year-old production is as … Continue Reading →

THE HANGOVER REPORT – En Garde Arts’ production of RED HILLS elegantly combines immersive storytelling and traditional theatergoing

Last night, I caught the final performance of En Garde Arts’ production of Red Hills by Asiimwe Deborah Kawe and Sean Christopher Lewis. The play tells the story of two men with very different backgrounds, and … Continue Reading →