VIEWPOINTS – A pair of Shakespeare tragedies arise this winter: KING LEAR at La MaMa and THE TRAGEDY OF CORIOLANUS at TFANA
- By drediman
- February 19, 2026
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This winter, a pair of Off-Broadway productions of meaty Shakespeare tragedies have arisen in robust, full-bodied manner. As per usual, read on for my thoughts on these revivals — one … Continue Reading →
VIEWPOINTS – Dramatizing the gradual act of disappearing: Jacob Perkins’ THE DINOSAURS and Erica Schmidt’s THE DISAPPEAR
- By drediman
- February 18, 2026
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As humans, our lives are largely constructed around the concept of permanence. It’s therefore fascinating that, currently Off-Broadway, we have a pair of fascinating new plays that, in their own … Continue Reading →
VIEWPOINTS – Storytelling takes center stage in Mary Kate O Flanagan’s MAKING A SHOW OF MYSELF and Simon Rich’s ALL OUT
- By drediman
- February 13, 2026
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Feel like curling up to a good yarn? You’re in luck, friend, because currently on the boards this winter, there are two notable shows that are attempting to win over … Continue Reading →
VIEWPOINTS – A chill from across the pond hits The Shed: Alexander Zeldin’s disorienting OTHER PLACE and Simon Stephens’ virtual ARK
- By drediman
- February 12, 2026
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Over at The Shed at Hudson Yards, you’ll find a pair of new works by two celebrated British playwrights that bring a chill from across the pond to our shores. … Continue Reading →
VIEWPOINTS – Gently coming together despite our differences: COME FROM AWAY at Paper Mill and the return of THE PORCH ON WINDY HILL
- By drediman
- February 10, 2026
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During these frigid winter days and nights, I’ve found myself daydreaming of better times when it seemed we could all come together despite our differences. In the past week, this … Continue Reading →
THE HANGOVER REPORT – The delightfully on-script revival of the tuneful yet bizarre musical HIGH SPIRITS harkens back to the Encores! of old
- By drediman
- February 6, 2026
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The 2026 season of New York City Center’s Encores! series commenced this week with the first major New York revival of High Spirits, songwriters Hugh Martin and Timothy Gray’s delightfully … Continue Reading →
THE HANGOVER REPORT – Michael Walek’s THE BOOKSTORE is a gentle and wise homage to books, New York City, and chosen families
- By drediman
- February 3, 2026
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If you’re looking to cozy up to a piece of theater this frigid winter, I’d recommend that you consider making your way to 59E59 Theaters to catch New Jersey Repertory … Continue Reading →
VIEWPOINTS – Encores for fringe hits: The Attic Collective’s AND HER CHILDREN, Katy Murphy’s (NO) REFUNDS, and Awkward Productions’ DIANA
- By drediman
- February 1, 2026
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This January and February, New York has been playing host — thanks primarily to SoHo Playhouse’s International Fringe Encore Series — to a number of return engagements of shows that … Continue Reading →
VIEWPOINTS – Raging against the machine: Paranoia-drenched plays like Tracy Letts’ BUG and Matthew Libby’s DATA strike a timely chord
- By drediman
- January 31, 2026
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This past week, I came across two effective psychological thrillers that feature paranoid characters raging against the machine — particularly as it relates to the questionable interests and activities of … Continue Reading →
VIEWPOINTS – Models of bad romances: Michelle Williams in ANNA CHRISTIE and the American premiere of BLACKOUT SONGS
- By drediman
- January 30, 2026
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Sometimes it takes being in a toxic relationship to feel fully alive. Like drugs, however, the habit can be dangerously addictive and even life-threatening when engaged in excessively. Currently on … Continue Reading →











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