VIEWPOINTS – A cabaret comparison: MATTHEW MORRISON digs deep for a message, while DEE DEE BRIDGEWATER plays it fast and loose

During the first week of the new year, I ventured out to catch a pair of cabaret acts, together proving the art form’s ability to extravagantly shape shift by performer. … Continue Reading →

VIEWPOINTS – A look back at the holidays at The Met: Breathing new life into AMAHL & THE NIGHT VISITORS and the return of THE MAGIC FLUTE

This past holiday season, The Metropolitan Opera doubled down on the spirit of the season by presenting not one, but two family-friendly offerings — one a reliable staple at the … Continue Reading →

VIEWPOINTS – THE BEST OF 2025: Theater, Music, and Dance

With 2025 now merely a memory, I’ve taken the time to look back upon the year prior and pick out the performances that distinguished themselves from the pack. Read on … Continue Reading →

VIEWPOINTS – London roundup: A varied bounty of performances across the classics, new dramas, musicals, and beyond

A few weeks back, I was able to travel across the pond to take in an eclectic bounty of shows across the classics, new dramas, musicals, and beyond to satisfy … Continue Reading →

VIEWPOINTS – A trio of jazz divas light up Birdland: JANE MONHEIT, GABRIELLE STRAVELLI, and The Hot Sardine’s ELIZABETH BOUGEROL

This past fall at Birdland, it was my pleasure to be enchanted by a trio of jazz divas, each of whom effortlessly regaled audiences with their distinct vocal prowess and … Continue Reading →

VIEWPOINTS – An overview of ALTERNATIVE HOLIDAY FARE: From mildly off the beaten path, to the thoughtfully tangental, to the wacky remixes

For those of you looking for some alternative fare for your holiday entertainment, there are certainly options beyond the big guns (e.g., New York City Ballet’s production of Balanchine’s The … Continue Reading →

THE HANGOVER REPORT – Trinity Church’s briskly conducted, newly truncated MESSIAH continues to be the gold standard

Just like performative versions of Charles Dickens’ A Christmas Carol, the New York holiday season also typically has a handful of different versions of Handel’s Messiah on offer for music … Continue Reading →

THE HANGOVER REPORT – Slightly dwarved at the Armory, the freewheeling stage adaptation of THE FAGGOTS AND THEIR FRIENDS casts its sensuous spell

The Park Avenue Armory’s massive drill hall is a space that begs to be utilized to its extravagant physical potential. With such an expanse, the possibilities are almost limitless — … Continue Reading →

THE HANGOVER REPORT – CHEYENNE JACKSON at Carnegie Hall: Joyously fulfilling a lifelong dream as his authentic self

This past Monday, Cheyenne Jackson made his highly anticipated Carnegie Hall debut in an eclectic concert that found the stage and screen star joyously fulfilling his lifelong dream — emphatically … Continue Reading →

VIEWPOINTS – Distinctively French, American: William Christie’s LES ARTS FLORRISANT and a Gustavo Gimeno-led NY PHILHARMONIC

This past weekend, two music ensembles strove, respectively, to evoke distinctly French and American stylings. These would be William Christie’s early music specialists Les Arts Florrisant at the Brooklyn Academy … Continue Reading →