VIEWPOINTS – Suzan-Lori Parks’s THE RED LETTER PLAYS receive stylish, searing revivals at the Signature

Down at the indispensable Signature Theater on 42nd Street, you’ll find a pair of harrowing plays about women on the fringes of society just (barely) getting by. They are Fucking … Continue Reading →

THE HANGOVER REPORT – Pina Bausch lives on emphatically in the remount of an historic double bill at BAM

There are only a handful of choreographers who have had the same far-reaching impact to the arts as the late, great Pina Bausch. Indeed, her influence reaches beyond the world of … Continue Reading →

THE HANGOVER REPORT – Sarah Ruhl’s FOR PETER PAN ON HER 70TH BIRTHDAY is heavy on whimsy, light on true magic

Playwright Sarah Ruhl has made a name for herself for taking bold, poetic, and highly theatrical flights of fancy in her plays. Her latest, For Peter Pan on her 70th birthday, … Continue Reading →

THE HANGOVER REPORT – Simon Stephens’ ON THE SHORE OF THE WIDE WORLD quietly, unobtrusively examines the act of living

It’s part of human nature to define our lives within a tapestry of overlapping digestible narratives, populated by the good guys and the bad guys. But the experience of actually living … Continue Reading →

VIEWPOINTS – The legacy of The Who lives on in divergent renditions of TOMMY and QUADROPHENIA

On recent back-to-back nights (yesterday and Sunday), I had the opportunity to experience two of The Who’s most famous rock operas, Tommy and Quadrophenia, in divergent renditions that made me consider these … Continue Reading →

THE HANGOVER REPORT – The rarely-performed LA FANCIULLA DEL WEST is given a solid treatment by New York City Opera

Yesterday I caught a rare production Puccini’s La Fanciulla del West, an operatic adaptation of David Belasco’s play The Golden Girl of the West (I had only previously seen the … Continue Reading →

THE HANGOVER REPORT – PRINCE OF BROADWAY has some thrilling highs, lackluster lows

Over the past few decades, Broadway has seen retrospectives of theater luminaries grace its stages, often times to strong critical and commercial acclaim. Jerome Robbins’ Broadway, Fosse, and Sondheim on … Continue Reading →

THE HANGOVER REPORT – Public Work’s AS YOU LIKE is an accessible, joyous summer-capping affair

Public Works returned to the Delacorte Theater in Central Park for a handful of performances this past Labor Day Weekend to close out the summer with a musical adaptation of … Continue Reading →

THE HANGOVER REPORT – Ivan Fischer’s riveting DON GIOVANNI is opera at its most potent

I had missed Ivan Fischer’s acclaimed, stripped-down production of Don Giovanni when it last graced New York in 2011 as part of Lincoln Center’s Mostly Mozart Festival. However, in subsequent … Continue Reading →

THE HANGOVER REPORT – Lucinda Childs’ minimalist “Dance” is gorgeously revived at the Joyce

I recently had the chance to catch Lucinda Childs Dance Company perform its seminal 1979 “Dance”. The three-piece evening length ballet, performed to a score by Philip Glass and projected … Continue Reading →