THE HANGOVER REPORT – Carmen Cusack shines in an otherwise pleasantly serviceable BULL DURHAM at Paper Mill Playhouse

Continuing in the long line of screen-to-stage adaptations is Paper Mill Playhouse’s production of Bull Durham, which is based on the 1988 baseball themed movie of the same name starring … Continue Reading →

VIEWPOINTS – Multidisciplinary masterworks in Brooklyn: William Kentridge’s SIBYL and nora chipaumire‘s DAMBUDZO

This past week in Brooklyn, I had the great opportunity to catch a pair of multidisciplinary masterworks, courtesy of two boundary pushing performing arts festivals — one brand new, the … Continue Reading →

VIEWPOINTS – The robust fall dance season continues: Program 2 of the ARPINO DANCE FESTIVAL and the return of PARIS OPERA BALLET

This past week was a busy one for dance fans, with quite a number of enticing offerings from a number of institutions and festivals city-wide to choose from. Here are … Continue Reading →

VIEWPOINTS – Halloween treats: Live performances that are bound to tickle the ghoul within

With Halloween fast approaching, what better way to immerse yourself in the ghostly holiday than by attending a live performance to tickle ghoul within? Luckily, New Yorkers have a slew … Continue Reading →

THE HANGOVER REPORT – Living it up: Tony-winner NICOLE SCHERZINGER is everything in her Carnegie Hall debut

Last night, I had the wonderful pleasure of witnessing Nicole Scherzinger’s completely sold out Carnegie Hall debut. To be sure, the singer-actress has had a fascinating career. She first found … Continue Reading →

THE HANGOVER REPORT – In ARE THE BENNET GIRLS OK?, Emily Breeze alters a Jane Austen classic just enough to register with a punch

The folks over at Bedlam are no strangers to the literary works of Jane Austen, having scored a hit with their freewheeling stage adaptation of Sense and Sensibility. Now they’ve turned … Continue Reading →

VIEWPOINTS – Rage against the machine: Humanity buckling under pressure in AND THEN WE WERE NO MORE and SLAUGHTER CITY

This past week, I came across a pair of dark and urgently acted Off-Broadway plays that ambitiously attempted to depict humanity exploited, buckling under the pressure of the machinations of … Continue Reading →

VIEWPOINTS – Bromance is in the air: Taking a look at the much hyped Broadway revivals of WAITING FOR GODOT and ART

This fall, bromance is in the air, as evidenced by the much hyped Broadway revivals of a pair of well-trodden plays that explore male friendships in depth. These would be … Continue Reading →

THE HANGOVER REPORT – Playwright James Graham brings his latest kinetic docudrama PUNCH to the Great White Way

This past weekend, I was able to catch up with James Graham’s new play Punch, which is currently playing on Broadway at the Samuel J. Friedman theatre courtesy of Manhattan … Continue Reading →

VIEWPOINTS – Uniquely immersive performances of contemporary classical music: Paola Prestini’s HOUSES OF ZODIAC, Georg Friedrich Haas’s 11,000 STRINGS

This past week, I encountered a pair of uniquely immersive performances of contemporary classical music that unlocked live music’s ability to viscerally shake one to the core. If this has … Continue Reading →