THE HANGOVER REPORT – All their tragic: Youthful ensemble storytelling drives Broadway’s starry, laid back ROMEO AND JULIET
- By drediman
- October 25, 2024
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Last night, the starry new production of William Shakespeare’s Romeo and Juliet opened on Broadway at the Circle in the Square Theatre. Not to be confused with Jamie Lloyd’s unfortunate … Continue Reading →
THE HANGOVER REPORT – Osvaldo Golijov’s fiery opera AINADAMAR makes its Met debut in an evocative, dreamy production
- By drediman
- October 24, 2024
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The major mounting of any contemporary opera is cause for attention — especially during this challenging period for that most extravagant of art forms — which is the reason why … Continue Reading →
THE HANGOVER REPORT – Julia May Jonas’s beguiling A WOMAN AMONG WOMEN engages in a fascinating dialogue with an Arthur Miller warhorse
- By drediman
- October 24, 2024
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This week, I ventured out to East Williamsburg to catch the Bushwick Starr’s production of A Woman Among Women by Julia May Jonas. The mounting — a co-presentation with New … Continue Reading →
VIEWPOINTS – All About My Father: Fatherhood woes feature prominently in Lloyd Suh’s FRANKLINLAND and Mathilde Dratwa’s DIRTY LAUNDRY
- By drediman
- October 23, 2024
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In my recent theater-going adventures, I came across a pair of new Off-Broadway plays that respectively dramatize — in theatrically imaginative fashion — two cases of fatherhood woes. As always, … Continue Reading →
THE HANGOVER REPORT – DRAG: THE MUSICAL follows a familiar formula but makes for a mighty entertaining evening
- By drediman
- October 22, 2024
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It’s hard not to have a good time at Drag: The Musical, the crowd-pleasing new Off-Broadway musical that opened last night at New World Stages. Fabricated from a familiar concoction … Continue Reading →
THE HANGOVER REPORT – THE FORD/HILL PROJECT powerfully splices the trailblazing testimonies of Anita Hill and Christine Blasey Ford
- By drediman
- October 21, 2024
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This past weekend at the Public Theater, I caught the final performance of Waterwell’s production of The Ford/Hill Project (the piece is co-presented by Woolly Mammoth Theatre Company in Washington, … Continue Reading →
VIEWPOINTS – Radical deconstructions: The hyped Broadway revival of SUNSET BLVD. and the confounding SHOWGIRL at NYU Skirball
- By drediman
- October 21, 2024
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I recently had the opportunity to take in a pair of provocative productions by adventurous theater-makers that radically deconstruct recognizable works of pop culture, challenging audiences to look at them … Continue Reading →
THE HANGOVER REPORT – Flexing the boundaries of classical ballet: AMERICAN BALLET THEATRE unveils new works by Gemma Bond and Kyle Abraham
- By drediman
- October 18, 2024
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This week, American Ballet Theatre commenced its fall season at the David H. Koch Theater. The opening program was an enticing one — performed under the umbrella banner of “Innovation … Continue Reading →
THE HANGOVER REPORT – Daniel Dae Kim leads Roundabout’s pointed Broadway revival of David Henry Hwang’s YELLOW FACE
- By drediman
- October 17, 2024
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Last night at the Todd Haimes Theatre, I attended Roundabout Theatre Company’s timely Broadway revival of Yellow Face by Tony-winner David Henry Hwang (M. Butterfly). A Finalist for the Pulitzer … Continue Reading →