THE HANGOVER REPORT – In WHO KILLED MY FATHER, Édouard Louis’ further excavates societal homophobia, only to uncover unexpected empathy

I recently had a chance to take in the solo stage adaptation of Édouard Louis’ Who Killed My Father at St. Ann’s Warehouse. The production – which comes by way … Continue Reading →

THE HANGOVER REPORT – TRISHA BROWN DANCE COMPANY stylishly, nostalgically celebrates its 50th anniversary at The Joyce (finally)

This weekend, I attended a performance by the Trisha Brown Dance Company at The Joyce Theater in Chelsea. The weeklong run – which was delayed for a few years, as … Continue Reading →

THE HANGOVER REPORT – James Ijames’s smart, uproarious FAT HAM inverts the tragedy of Shakespeare’s iconic play to empower Black Queerness

Last night, James Ijames’s uproarious yet profoundly defiant Fat Ham opened at the Public Theater in a co-production with National Black Theatre. As many of you know, the play a … Continue Reading →

THE HANGOVER REPORT – Trish Harnetiaux’s playfully abstract CALIFORNIA launches the 25th edition of Clubbed Thumb’s essential Summerworks series

This week at the cozy wild project in the East Village, I caught California by Trish Harnetiaux (the playwright’s theatrical podcast series The MS Phoenix Rising tickled me during lockdown). … Continue Reading →

THE HANGOVER REPORT – Brett Dean’s faithful, visceral operatic adaptation of HAMLET sonically unleashes the existential depths of the Bard’s text

Last week, I was able to catch up with the New York premiere of composer Brett Dean and librettist Matthew Jocelyn’s visceral operatic adaptation of Hamlet at the Metropolitan Opera. … Continue Reading →

THE HANGOVER REPORT – Mary Wiseman turns in a star-making performance in AT THE WEDDING, Bryna Turner’s slight but emotionally bruised new comedy

This past week, I attended a performance of Lincoln Center Theater’s Off-Broadway production of Bryna Turner’s new play At the Wedding. The comedy (which I thankfully caught before it concluded … Continue Reading →

THE HANGOVER REPORT – Karen Hartman’s sturdy, cleverly-framed new drama THE LUCKY STAR affectingly excavates one family’s elusive history

This week at Theater A at 59E59 Theaters, I caught Karen Hartman’s The Lucky Star. The play dramatizes Richard Hollander’s book Every Day Lasts a Year: A Jewish Family’s Correspondence from … Continue Reading →

THE HANGOVER REPORT – Ebru Nihan Celkan’s fractured two-hander WILL YOU COME WITH ME? gets lost in translation

Earlier this week, I trekked to Gowanus in Brooklyn to catch the opening night performance of Turkish playwright Ebru Nihan Celkan’s Will You Come with Me? at MITU580. The new … Continue Reading →

THE HANGOVER REPORT – The breezy new musical ROMEO & BERNADETTE is an amusingly incongruous love letter to Shakespeare and Brooklyn

Last night, Mark Saltzman’s Romeo & Bernadette: A Musical Tale of Verona & Brooklyn opened Off-Broadway at Theater 555. The current run marks the return to New York of the … Continue Reading →

VIEWPOINTS – To leave or not to leave: Notions of home and identity explored in Mona Monsour’s THE VAGRANT TRILOGY Sanaz Toossi’s WISH YOU WERE HERE

This past weekend, I attended two thought-provoking new plays – Mona Monsour’s The Vagrant Trilogy and Sanaz Toossi’s Wish You Were Here – that explored notions of home and identity … Continue Reading →