THE HANGOVER REPORT – THE SARASOTA BALLET returns to The Joyce with a balanced program consisting of a pair of Ashton ballets and a world premiere by Jessica Lang

This week, The Joyce Theater closes out its summer season by presenting The Sarasota Ballet at its Chelsea home base. The balanced, perfectly lovely program features a pair of ballets … Continue Reading →

THE HANGOVER REPORT – The ambitious but murky musical adaptation of THE BUTCHER BOY dives headlong into the psyche of a disturbed youth

This past weekend at the Irish Repertory Theatre in Chelsea, I attended the premiere of the Off-Broadway musical adaptation of Patrick McCabe’s dark 1992 novel The Butcher Boy. The new … Continue Reading →

VIEWPOINTS – Summer dance roundup at Lincoln Center: BAAND Together Dance Festival returns and Kyle Abraham’s REQUIEM shimmers

This past week, I took in a number of wonderfully accessible dance performances courtesy of Lincoln Center’s expansive Summer for the City programming. Here are my thoughts, as per usual. … Continue Reading →

THE HANGOVER REPORT – An uneven revival of CAT ON A HOT TIN ROOF updates the ever-caustic Tennessee Williams play to the present

Over at the Theatre at St. Clement’s, you’ll find the Off-Broadway revival (the play’s first, believe it or not) of Tennessee Williams’ Cat on a Hot Tin Roof. For those … Continue Reading →

VIEWPOINTS – ArtsDistrict Brooklyn uses technology to engage the senses and immerse visitors: LIMITLESS AI, SÉANCE, and FLIGHT

This summer, I had the opportunity of paying a visit to ArtsDistrict Brooklyn. Located in Brooklyn’s Greenpoint neighborhood, the new venue was built to be a home for large-scale digital installations … Continue Reading →

THE HANGOVER REPORT – RENNIE HARRIS’s LIFTED puts theatrical storytelling to the forefront but only intermittently comes to life

Last night at The Joyce Theater in Chelsea, I attended the opening night performance of Lifted: A Gospel House Musical, Rennie Harris’s latest evening length work of dance. I use … Continue Reading →

THE HANGOVER REPORT – The deliriously silly TITANIQUE is a smart, giddy musical parody that hits all the right notes

Last weekend at Asylum NYC (located in the basement of a Gristedes in Chelsea), I had the opportunity to catch Titanique, a jukebox musical parodying James Cameron’s 1997 blockbuster film … Continue Reading →

THE HANGOVER REPORT – The stage adaptation of THE KITE RUNNER is mired by dutiful, play-by-play storytelling

One of the first entries of the nascent 2022-2023 Broadway season is Matthew Spangler’s stage adaptation of Khaled Hosseini’s seminal 2003 novel The Kite Runner, which I caught this past … Continue Reading →

VIEWPOINTS – Broadway stars working the cabaret circuit: ANDY KARL & ORFEH at Chelsea Table & Stage and MELISSA ERRICO at 54 Below

This past week, I caught a couple of Broadway stars working New York’s cabaret circuit. As always, here are my thoughts. MELISSA ERRICO WITH BILLY STRITCH: SWING LESSONS54 Below On … Continue Reading →

THE HANGOVER REPORT – CANNABIS! A VIPER VAUDEVILLE, an energized one-sided spectacle, equates the legalization of of marijuana with revolution

Last weekend, I was thankfully able to catch the final performance of Cannabis! A Viper Vaudeville, a HERE production performed at La Mama’s Ellen Stewart Theatre. The brainchild of hip … Continue Reading →