THE HANGOVER REPORT – Simon McBurney’s new human-scaled staging of DIE ZAUBERFLÖTE basks in low-tech spectacle and literally elevates the music
- By drediman
- May 24, 2023
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Last week, the Metropolitan Opera unveiled its new production of Die Zauberflöte. Helmed by British theater director Simon McBurney, the production partially replaces Julie Taymor’s long-running staging (I say partially because … Continue Reading →
THE HANGOVER REPORT – Ivo van Hove’s potent new DON GIOVANNI arrives at the Met, splendidly sung and surprisingly straightforward
- By drediman
- May 10, 2023
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Last night, I caught up with Ivo van Hove’s anticipated new production of Don Giovanni, which opened last week at the Metropolitan Opera. The Belgian auteur’s production replaces Michael Grandage’s lifeless … Continue Reading →
THE HANGOVER REPORT – The 81-year-old MasterVoices performs a starry, utterly delightful staged concert of Gilbert & Sullivan’s IOLANTHE
- By drediman
- May 6, 2023
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Earlier this week at Carnegie Hall, MasterVoices finished off its astonishing 81st concert season with a starry, utterly delightful staged concert of Gilbert and Sullivan’s Iolanthe (or, The Peer and … Continue Reading →
VIEWPOINTS – Nights at the opera: A tenor wows in his Met debut in L’ELISIR D’AMORE and the last days of a monumental AIDA
- By drediman
- April 28, 2023
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Over the past week or so, I twice paid a visit to the Metropolitan Opera to take in two staples of the repertoire. Read on for my thoughts. L’ELISIR D’AMOREThe … Continue Reading →
VIEWPOINTS – Nights at the opera: Terence Blanchard’s jazzy, turbulent CHAMPION opens & Lise Davidsen glimmers in DER ROSENKAVALIER
- By drediman
- April 12, 2023
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On two consecutive nights this week, I had the opportunity to take in a pair of notable productions at the Metropolitan Opera – one an anticipated premiere and the other … Continue Reading →
THE HANGOVER REPORT – David McVicar’s conservative staging of Bellini’s NORMA returns to the Met with a merely adequate cast
- By drediman
- March 24, 2023
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This past week, I made it back to the Metropolitan Opera to catch the revival of David McVicar’s 2017 staging of Bellini’s Norma. The primary reason to catch the production … Continue Reading →
THE HANGOVER REPORT – François Girard’s musically resplendent new production of Wagner’s LOHENGRIN continues the bleak saga that began with PARSIFAL
- By drediman
- March 3, 2023
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Last night, I attended the Metropolitan Opera’s new production of Lohengrin by Richard Wagner. As one of the composer’s Romantic operas, the 1850 work includes elements of traditional grand opera … Continue Reading →
VIEWPOINTS – Winter nights at the Metropolitan Opera: Giordano’s FEDORA and Poulenc’s DIALOGUES DES CARMÉLITES
- By drediman
- January 27, 2023
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This past week, I had the chance to attend a pair of productions at the Metropolitan Opera before the company takes its newly-instituted February hiatus from performances. Here are my … Continue Reading →
VIEWPOINT – PROTOTYPE 2023 continues to be a fertile incubator for the development of important new works of music theater
- By drediman
- January 19, 2023
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Last week, I immersed myself in the 2023 edition of Prototype, a weeklong festival of new operas (in the most forward-looking instances of the genre) presented by Beth Morrison Projects … Continue Reading →
THE HANGOVER REPORT – New York Gilbert & Sullivan Players brings back its charming and infectiously-pitched production of H.M.S. PINAFORE
- By drediman
- January 17, 2023
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Earlier this month at the Kaye Playhouse at Hunter College, the New York Gilbert & Sullivan Players wrapped up its holiday run of H.M.S. Pinafore. The frivolous piece takes place … Continue Reading →