THE HANGOVER REPORT – Zadie Smith’s THE WIFE OF WILLESDEN is elevated by a boisterous, scenery-chewing performance by Clare Perkins

Currently at the Brooklyn Academy of Music’s Harvey Theater, you’ll find The Wife of Willesden, the debut play by award-winning novelist Zadie Smith. Originally presented by the Kiln Theatre, the … Continue Reading →

THE HANGOVER REPORT – York Theatre Company gives Jack Heifner’s musical version of VANITIES a second look

Last weekend, I had the opportunity to drop by the Theatre at St. Jean’s on the Upper West Side to catch York Theatre Company’s Off-Broadway revival of Vanities. The version … Continue Reading →

THE HANGOVER REPORT – A.I.M BY KYLE ABRAHAM experiments with fresh choreographic ideas in an evening of dance at The Joyce

Last night, I attended the opening night performance of A.I.M by Kyle Abraham’s spring repertory program at The Joyce Theater. After a slew of evening length works, it’s refreshing to … Continue Reading →

THE HANGOVER REPORT – The pun-heavy, sketch-like new musical SHUCKED arrives on Broadway with a whole lot of corn

Last night, an unlikely but undeniably crowd-pleasing new musical landed on Broadway at the Nederlander Theatre. That would be Shucked, which arrives on the Great White Way by way of … Continue Reading →

THE HANGOVER REPORT – Andre Royo masterfully and vividly animates Audible’s revival of DRINKING IN AMERICA by Eric Bogosian

Last night at the Minetta Lane Theater, I attended Audible Theater’s Off-Broadway revival of Drinking in America by Eric Bogosian. Written in 1986, the work is comprised of a series of monologues that … Continue Reading →

THE HANGOVER REPORT – At NYU Skirball, Phelim McDermott reveals his immense, deep obsession with Philip Glass in TAO OF GLASS

This past weekend, I attended the New York premiere of Tao of Glass at NYU Skirball by actor and director Phelim McDermott (who, on the day I attended the show, won a … Continue Reading →

VIEWPOINTS – Female conductors take on iconic Stravinsky Ballet Russes scores: Susanna Mälkki and Marin Alsop conduct PETRUSHKA and THE RITE OF SPRING, respectively

This past Friday, I had the pleasure of attending a wonderfully coincidental double-header, in which two renowned female conductors took on a pair of iconic Stravinsky scores that were commissioned … Continue Reading →

THE HANGOVER REPORT – At City Center, THE NATIONAL BALLET OF CANADA shows off its stylish eclecticism via works by Dawson, MacMillan, and Pite

Last night, I attended The National Ballet of Canada’s first of four performances at New York City Center. For their return to City Center (where the troupe hasn’t performed in … Continue Reading →

THE HANGOVER REPORT – The richly evocative, visually arresting Olivier-winning stage adaptation of LIFE OF PI arrives on Broadway

Last night, the New York transfer of the stage adaptation of Yann Martel’s Booker Prize-winning novel novel Life of Pi opened on Broadway at the Gerald Schoenfeld Theatre. The production arrives on … Continue Reading →

THE HANGOVER REPORT – David Anzuelo’s unseasoned and ill-considered coming-of-age play DÍA Y NOCHE bites off more than it can chew

Last night, I attended LAByrinth Theater’s world premiere production of David Anzuelo’s Día y Noche at Off-Broadway’s 59E59 Theaters. The new play is the centerpiece of the storied theater company’s … Continue Reading →