THE HANGOVER REPORT – Tawni O’Dell’s new drama PAY THE WRITER goes through the motions and misses the mark

Last night, Tawni O’Dell’s new drama Pay the Writer opened Off-Broadway. The play tells the fictitious story of a successful Black writer and his parallel relationships with his gay literary agent and … Continue Reading →

VIEWPOINTS – Basketball Off-Broadway: Inua Ellams’ mythically-scaled THE HALF-GOD OF RAINFALL and Candrice Jones’s exceptional FLEX

This summer, a pair of plays with intrinsic ties to the sport of basketball graced the boards of two of New York’s premiere Off-Broadway stages. Luckily, I was able to … Continue Reading →

THE HANGOVER REPORT – True to his stage name, EL MAGO POP’s exuberant, narrative-light trickery pops wonderfully on the Broadway stage

Last night, the European sensation El Mago Pop opened his show on Broadway at the Ethel Barrymore Theatre. For the uninitiated, “El Mago Pop” is the stage name of one … Continue Reading →

THE HANGOVER REPORT – CAT KID COMIC CLUB proves to be another inspired musical adaptation for kids by TheatreWorks USA

This past weekend at Off-Broadway’s classic Lucille Lortel Theatre in the West Village, I had the opportunity to catch up with Cat Kid Comic Club: The Musical, TheatreWorks USA’s musical … Continue Reading →

THE HANGOVER REPORT – In “Without A Song”, the golden-voiced JASON DANIELEY magnificently sings through a spectrum of emotions

This weekend, I attended Jason Danieley’s latest cabaret show, which concluded its two-performance stint at 54 Below lat night. Entitled Without A Song, the show gives fans of the golden-voiced … Continue Reading →

THE HANGOVER REPORT – The immersive stage adaptation of THE GREAT GASTBY is handsome and accessible, but could use a bit more poetry

Anyone familiar with my taste when it comes to the performing arts knows that l’m a sucker for immersive theatrical experiences. Indeed, I have fond memories of attending endeavors like … Continue Reading →

VIEWPOINTS – The Great White Way may be a ghost town on Mondays, but things are hoppin’ late into the night at BIRDLAND

The Great White Way may be dark on Mondays, but not at Birdland Jazz Club, where Broadway and nightlife entertainers make sure things are hoppin’ late into the school night … Continue Reading →

THE HANGOVER REPORT – Rich in specificity, Danny Tejera’s Madrid-set TOROS unpacks post-collegiate toxic masculinity and existential crises

Also this past weekend, I attended the penultimate performance of Danny Tejera’s Toros, which was presented Off-Broadway at the intimate McGinn/Cazale Theater in the Upper West Side (the production concluded … Continue Reading →

THE HANGOVER REPORT – MARK MORRIS DANCE GROUP continues to thrive at The Joyce with generous repertory programming

This past weekend, I attended Program B of Mark Morris Dance Group’s first-time residency at The Joyce Theater (you can read my rave review of Program A here). Over the … Continue Reading →

VIEWPOINTS – The end of an era: Bidding a very fond farewell to the longstanding MOSTLY MOZART FESTIVAL and beloved maestro Louis Langrée

This summer marks the final season of Lincoln Center’s longstanding Mostly Mozart Festival. Originally established in 1966 as “Midsummer Serenades: A Mozart Festival”, the indoor summer festival was rebranded in … Continue Reading →