THE HANGOVER REPORT – City Ballet is in superb form in AMERICANA x FIVE program
- By drediman
- October 5, 2015
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Yesterday, in a program entitled Americana x Five, I paid my first visit back to City Ballet since a captivating performance of Swan Lake led by a stunning Sara Mearns … Continue Reading →
THE HANGOVER REPORT – The baffling FONDLY, COLLETTE RICHLAND is more frustrating than thrilling
- By drediman
- October 3, 2015
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It’s taken me a few days to formalize and document my thoughts on Sibyl Kempson’s confounding Fondly, Collette Richland, as performed by the folks at the adventurous Elevator Repair Service … Continue Reading →
THE HANGOVER REPORT – Deaf West’s devastating revival imbues SPRING AWAKENING with newfound emotional depth
- By drediman
- October 2, 2015
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Is it too soon to bring back the musical Spring Awakening? This is a question I asked myself as I walked into the Brooks Atkinson Theatre last night to reacquaint … Continue Reading →
VIEWPOINTS – Revisiting Broadway’s Warhorses (Part 2)
- By drediman
- October 1, 2015
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As I explained in the first installment of this series published on August 24th, I’ve been busy revisiting and reassessing some of Broadway’s long-running hits during the past month or … Continue Reading →
THE HANGOVER REPORT – The 2015 FALL FOR DANCE FESTIVAL gets off to a rousing start
- By drediman
- October 1, 2015
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Last night I attended the first of five Fall for Dance Festival programs at City Center. I’ve long admired this festival for its wonderfully eclectic programming and ardent audiences. In … Continue Reading →
THE HANGOVER REPORT – DADDY LONG LEGS is sweetly predictable
- By drediman
- September 30, 2015
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Last night I saw the sweet, by-the-books musical two-hander Daddy Long Legs at Off-Broadway’s Davenport Theatre. The show is an adaptation of Jean Webster’s novel of the same name concerning … Continue Reading →
THE HANGOVER REPORT – The Met’s new OTELLO delivers when it counts
- By drediman
- September 29, 2015
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Last night I caught Bartlett Sher’s brooding if uneven new production of Verdi’s powerful Otello at the Met. Sher’s production worked best on a bare stage with his singers, along … Continue Reading →
VIEWPOINTS – Revisiting Broadway’s Warhorses (Part 1)
- By drediman
- August 24, 2015
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Summers traditionally see a major slowdown in New York theater openings. This means a chance for theater geeks like myself to reacquaint ourselves with a number of long-running shows before … Continue Reading →
VIEWPOINTS – Afraid You Don’t Fit the Mold? Not to Worry, Today’s Broadway is a Good Place to Be (Finally)
- By drediman
- August 20, 2015
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If the 2014/2015 season was the year of the Brits on Broadway, then this season happily promises to be the Year of Diversity on the Great White Way, particularly when … Continue Reading →















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