THE HANGOVER REPORT – Natalie Palamides wreaks havoc in WEER, the inaugural show at the rebooted Cherry Lane Theatre

This fall, commercial Off-Broadway theater’s impressive resurgence continues with the re-opening of the rebooted Cherry Lane Theater, which has been bought and thoughtfully renovated by the indie film company A24 … Continue Reading →

THE HANGOVER REPORT – In ALL RIGHT. GOOD NIGHT., Rimini Protokoll artfully articulates the process of gradual disappearance through music and text

Last night at NYU Skirball, I had the opportunity to catch the North American premiere of Rimini Protokoll’s All right. Good night. in a co-presentation by L’Alliance New York as a part … Continue Reading →

VIEWPOINTS – Dance Roundup: Assessing all-Balanchine bills at CITY BALLET and an evening with A.I.M BY KYLE ABRAHAM

Aside from City Center’s ongoing Fall for Dance festival, the city’s dance scene has been in full swing. This past week, I had the chance to catch up with a … Continue Reading →

THE HANGOVER REPORT – Hansol Jung’s LAST CALL, A PLAY WITH COCKTAILS is intimate and immersive in the most unique ways

Also last night, Hansol Jung’s new play Last Call, a play with cocktails officially opened, way Off-Broadway. Only accommodating 20 to 40 guests at a time in personal homes across … Continue Reading →

THE HANGOVER REPORT – In THE OTHER AMERICANS, John Leguizamo puts a distinctively Latin twist on the classic kitchen sink drama

Last night, John Leguizamo’s new play The Other Americans opened Off-Broadway at The Public Theater’s Anspacher Theater (the show is a co-presentation with Washington, DC’s Arena Stage). Those of you … Continue Reading →

THE HANGOVER REPORT – Julia McDermott spirals down an existential rabbit hole in Brian Watkins’ WEATHER GIRL

This past weekend, Brian Watkins’ new dark comedy Weather Girl opened at St. Ann’s Warehouse in Brooklyn’s fashionable DUMBO neighborhood. The solo show stars Julia McDermott as Stacey, a California … Continue Reading →

VIEWPOINTS – Global talent and a bevy of premieres distinguish City Center’s bountiful 2025 edition of FALL FOR DANCE

One of the indicators of the arrival of New York’s busy fall performing arts season is the arrival of New York City Center’s Fall for Dance, a festival across pretty … Continue Reading →

THE HANGOVER REPORT – With WHEN THE HURLYBURLY’S DONE, Richard Nelson once again quietly rivets, this time in Ukrainian

This past weekend, The Public Theater concluded hosting the New York run of Theater on Podil’s production of When the Hurlyburly’s Done by Richard Nelson. The Public is no stranger … Continue Reading →

VIEWPOINTS – Illuminating stories that ought to be told: The anticipated Sia musical SATURDAY CHURCH and Audible’s production of MEXODUS

This week saw the opening of two new Off-Broadway musicals musicals that boldly shed light on stories that are typically kept out of sight and light to be told. As … Continue Reading →

THE HANGOVER REPORT – Extremities are the name of the game in the return of Hoi Polloi’s production of FAMILY by Celine Song

Last night, I ventured down to La MaMa Experimental Theatre Club, where I caught Hoi Polloi’s production of Family by Celine Song (Song is perhaps best known for penning films … Continue Reading →