THE HANGOVER REPORT – Johnny G. Lloyd’s philosophical new play PATIENCE explores the choices that make up life through the lens of Black excellence

This week, Johnny G. Lloyd’s Patience opened Off-Broadway at the McGinn/Cazale Theater in the Upper West Side courtesy of Second Stage Theater’s “Uptown” series, which is currently celebrating its 20th … Continue Reading →

THE HANGOVER REPORT – The ambitious but murky musical adaptation of THE BUTCHER BOY dives headlong into the psyche of a disturbed youth

This past weekend at the Irish Repertory Theatre in Chelsea, I attended the premiere of the Off-Broadway musical adaptation of Patrick McCabe’s dark 1992 novel The Butcher Boy. The new … Continue Reading →

THE HANGOVER REPORT – An uneven revival of CAT ON A HOT TIN ROOF updates the ever-caustic Tennessee Williams play to the present

Over at the Theatre at St. Clement’s, you’ll find the Off-Broadway revival (the play’s first, believe it or not) of Tennessee Williams’ Cat on a Hot Tin Roof. For those … Continue Reading →

VIEWPOINTS – ArtsDistrict Brooklyn uses technology to engage the senses and immerse visitors: LIMITLESS AI, SÉANCE, and FLIGHT

This summer, I had the opportunity of paying a visit to ArtsDistrict Brooklyn. Located in Brooklyn’s Greenpoint neighborhood, the new venue was built to be a home for large-scale digital installations … Continue Reading →

THE HANGOVER REPORT – The deliriously silly TITANIQUE is a smart, giddy musical parody that hits all the right notes

Last weekend at Asylum NYC (located in the basement of a Gristedes in Chelsea), I had the opportunity to catch Titanique, a jukebox musical parodying James Cameron’s 1997 blockbuster film … Continue Reading →

THE HANGOVER REPORT – The stage adaptation of THE KITE RUNNER is mired by dutiful, play-by-play storytelling

One of the first entries of the nascent 2022-2023 Broadway season is Matthew Spangler’s stage adaptation of Khaled Hosseini’s seminal 2003 novel The Kite Runner, which I caught this past … Continue Reading →

VIEWPOINTS – Theater as therapy session: Jade Anouka’s HEART and Aya Ogawa’s THE NOSEBLEED

This past week, I caught two new autobiographical plays that use theater as a sort of therapy session for their respective writer/performer. As per usual, here are my thoughts on … Continue Reading →

VIEWPOINTS – The classics, adventurously reconsidered: Robert Icke’s ORESTEIA, Elevator Repair Service’s SEAGULL, and Classical Theatre of Harlem’s TWELFTH NIGHT

Upon my return to New York from my aforementioned London trip, I made it a point to attend three adventurously reconsidered classics of Western drama before they shuttered. Here are … Continue Reading →

VIEPOINTS – Something familiar, something peculiar, something for everybody: A London theater roundup

I recently returned from a whirlwind trip to London, during which I immersed myself in the capital’s world famous theater scene. Over the course of roughly a single week, I … Continue Reading →

THE HANGOVER REPORT – The bombastic international hit musical spectacle NOTRE DAME DE PARIS makes its long-awaited New York premiere

Last week the 1998 French musical Notre Dame de Paris made its long-awaited New York premiere at the David H. Koch Theater (appropriately on Bastille Day). It’s not my first … Continue Reading →