THE HANGOVER REPORT – The York Theater Company’s new production of HOAGY CARMICHAEL’S STARDUST ROAD conjures Nostalgia with a capital “N”

Last weekend at the Theatre at St. Jean’s Church, I ventured to the Upper East Side to take in York Theatre Company’s Off-Broadway production of Hoagy Carmichael’s Stardust Road. The … Continue Reading →

THE HANGOVER REPORT – THE MUSEUM OF BROADWAY is an immersive, playfully Instagrammable overview of Broadway’s past and present

Last weekend, I was able to visit and experience the new Museum of Broadway. Located just next door to the Lyceum Theatre on 45th Street (where the Tony-winning A Strange … Continue Reading →

THE HANGOVER REPORT – In the artful THE FAR COUNTRY, Lloyd Suh continues to excavate the painful history of Chinese immigration

Earlier this week, Atlantic Theater Company’s production of The Far Country by Lloyd Suh opened at the Linda Gross Theater. Mr. Suh’s new play follows on the heels of the … Continue Reading →

VIEWPOINTS – Failed relationships that just won’t loosen their grip: Lisa Vaynberg’s THE GETT and Harrison David Rivers’ THE BANDAGED PLACE

This past week, I attended a pair of flawed but nonetheless fascinating Off-Broadway plays that featured failed relationships that just won’t loosen their grip, keeping the plays’ protagonists from moving … Continue Reading →

THE HANGOVER REPORT – The new jukebox musical A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL is standard, crowd-pleasing fare (at best)

Last night, yet another jukebox musical arrived on Broadway when A Beautiful Nose: The Neil Diamond Musical opened at the Broadhurst Theatre. The musical follows in a long line of … Continue Reading →

THE HANGOVER REPORT – Jordan E. Cooper’s speculative AIN’T NO MO’ uses unforgiving satire to crack open the Black experience

This past week, Jordan E. Cooper’s Ain’t No Mo’ opened on Broadway at the Belasco Theatre. The work was previously seen Off-Broadway in 2019 at the Public Theater. The biting … Continue Reading →

THE HANGOVER REPORT – Third venue, same vibrant production: FIDDLER ON THE ROOF IN YIDDISH returns, newly relevant

This fall, The National Yiddish Theatre Folksbiene’s vibrant production of Fiddler on the Roof in Yiddish has returned once again for a limited time for its third discrete New York … Continue Reading →

THE HANGOVER REPORT – Despite its noble intentions, Yilong Liu’s GOOD ENEMY struggles to come alive in theatrical form

Last weekend, I had the chance to take in the Off-Broadway production of Good Enemy by Yilong Liu. The now-shuttered play was a presentation of Audible Theater, which has taken … Continue Reading →

THE HANGOVER REPORT – The Mint Theater Company thoughtfully revives THE RAT TRAP, Noël Coward’s rarely performed early career play

Earlier this week at New York City Center, I attended a rare revival of Noël Coward’s The Rat Trap. The production is being presented by the Mint Theater Company, who … Continue Reading →

THE HANGOVER REPORT – In the smart and sensationally energizing & JULIET, Broadway has found a worthy successor to MAMMA MIA!

Earlier this fall, the new musical & Juliet opened on Broadway at the Stephen Sondheim Theatre. Having proved a solid hit across the pond in London’s West End, the jukebox … Continue Reading →