THE HANGOVER REPORT – Jordan E. Cooper’s speculative AIN’T NO MO’ uses unforgiving satire to crack open the Black experience

This past week, Jordan E. Cooper’s Ain’t No Mo’ opened on Broadway at the Belasco Theatre. The work was previously seen Off-Broadway in 2019 at the Public Theater. The biting … Continue Reading →

THE HANGOVER REPORT – Third venue, same vibrant production: FIDDLER ON THE ROOF IN YIDDISH returns, newly relevant

This fall, The National Yiddish Theatre Folksbiene’s vibrant production of Fiddler on the Roof in Yiddish has returned once again for a limited time for its third discrete New York … Continue Reading →

THE HANGOVER REPORT – Despite its noble intentions, Yilong Liu’s GOOD ENEMY struggles to come alive in theatrical form

Last weekend, I had the chance to take in the Off-Broadway production of Good Enemy by Yilong Liu. The now-shuttered play was a presentation of Audible Theater, which has taken … Continue Reading →

THE HANGOVER REPORT – The Mint Theater Company thoughtfully revives THE RAT TRAP, Noël Coward’s rarely performed early career play

Earlier this week at New York City Center, I attended a rare revival of Noël Coward’s The Rat Trap. The production is being presented by the Mint Theater Company, who … Continue Reading →

THE HANGOVER REPORT – In the smart and sensationally energizing & JULIET, Broadway has found a worthy successor to MAMMA MIA!

Earlier this fall, the new musical & Juliet opened on Broadway at the Stephen Sondheim Theatre. Having proved a solid hit across the pond in London’s West End, the jukebox … Continue Reading →

THE HANGOVER REPORT – In the intermittently thrilling ONLY GOLD, Parisian love is animated through dance and song

On its closing weekend, I had the opportunity to catch up with Only Gold, Kate Nash, Andy Blankenbuehler, and Tedd Malawer’s highly anticipated dance-heavy musical at MCC Theater in Hell’s … Continue Reading →

THE HANGOVER REPORT – On Broadway, KPOP exchanges its immersive edge and raw backstage drama for pop concert exuberance

Last night, KPOP opened at Circle in the Square, making the leap to the Great White Way after making a splash Off-Broadway five years ago in an audaciously immersive production … Continue Reading →

THE HANGOVER REPORT – At Second Stage, Bess Wohl’s bittersweet romance CAMP SIEGFRIED is both heavy-handed and frustratingly opaque

A few days ago, I attended a performance of Bess Wohl’s Camp Siegfried at Off-Broadway’s Tony Kiser Theater, courtesy of Second Stage Theater. Set in Long Island in 1938, the … Continue Reading →

THE HANGOVER REPORT – In DOWNSTATE, Bruce Norris’s unflinching stunner of a play, audiences are confronted with uncomfortable questions

This past weekend, I attended Downstate, Bruce Norris’s latest play which is currently running Off-Broadway at Playwrights Horizons. The production was previously seen in 2018 at Chicago’s revered Steppenwolf Theatre … Continue Reading →

VIEWPOINTS – On Broadway, a pair of impressive solo performances that grapple with mortality: Mike Birbiglia in THE OLD MAN AND THE POOL and Jefferson Mays in A CHRISTMAS CAROL

This fall on Broadway, theater fans have the opportunity to take in a pair of solo performances that grapple with mortality. I’m happy to report that both absolutely sing. Here … Continue Reading →