THE HANGOVER REPORT – Brian d’Arcy James and Kelli O’Hara devastate in Lucas and Guettel’s coiled and uncompromising DAYS OF WINE AND ROSES

Last week at the Linda Gross Theater in Chelsea, I had the opportunity to catch up with the highly anticipated world premiere musical Days of Wine and Roses by Craig … Continue Reading →

THE HANGOVER REPORT – In A SIMULACRUM, a playwright and an illusionist stealthily investigate the limitations and elusive promises of playing make believe

In A Simulacrum currently playing Off-Broadway at Atlantic Theater Company’s subterranean Atlantic Stage 2, playwright Lucas Hnath and illusionist Steve Cuiffo have collaborated on a fascinating if seemingly unassuming hybrid … Continue Reading →

THE HANGOVER REPORT – Kenny Leon’s competent, solidly acted Shakespeare in the Park production of HAMLET leans in on the family drama

This week, the Public Theater’s Free Shakespeare in the Park production of William Shakespeare’s Hamlet opened at the Delacorte Theatre. In many ways, the current offering at the Delacorte is … Continue Reading →

THE HANGOVER REPORT – Dexter Flanders’ FOXES takes an unflinching look at the Black gay experience, namely through the lens of London’s Caribbean community

Currently at 59E59 Theaters, you’ll be able to catch first-time playwright Dexter Flanders’ Foxes, which is in the final week of performances of its limited run at the Midtown East … Continue Reading →

VIEWPOINTS – Clubbed Thumb’s Summerworks 2023 continues with yearning works about human connection: Abe Koogler’s DEEP BLUE SOUND and Liza Birkenmeier’s GRIEF HOTEL

Down at the Wild Project in the East Village, Clubbed Thumb’s essential annual Summerworks series has continued with a pair of yearning new plays on the topic of human connection … Continue Reading →

THE HANGOVER REPORT – Ruthie Ann Miles gives an emotionally exposed performance in the sensitively recalibrated Encores! revival of THE LIGHT IN THE PIAZZA

This week, New York City Center has been playing host to the highly anticipated Encores! revival of The Light in the Piazza (the very limited run concludes this evening). Adapted … Continue Reading →

THE HANGOVER REPORT – Jillian Walker’s THE WHITNEY ALBUM attempts to free the troubled pop star through ritual and the act of theater-making

This past weekend down at Off-Broadway’s Soho Rep, I caught Jillian Walker’s play The Whitney Album (Ms. Walker also stars in the piece). If you haven’t already surmised, the new … Continue Reading →

THE HANGOVER REPORT – Branden Jacobs-Jenkins’ stealthy THE COMEUPPANCE keenly dissects mortality and human fragility via friendship

Something must be in the water these days. In recent weeks in my Off-Broadway theatergoing, I’ve encountering an uncommon plethora of new top-notch plays (catch them while you can!) that … Continue Reading →

THE HANGOVER REPORT – Paper Mill Playhouse’s tepid new production of RENT recasts the iconic musical as memory play

Down at the Paper Mill Playhouse in Millburn, NJ, you’ll currently find on the boards — just in time for Pride month — a new production of Jonathan Larson’s Rent. … Continue Reading →

THE HANGOVER REPORT – William Jackson Harper gives a quietly stunning performance in Eboni Booth’s compelling PRIMARY TRUST

Earlier this week, I had the chance to catch up with Roundabout Theatre Company’s Off-Broadway production of Eboni Booth’s Primary Trust at the Laura Pels Theatre (the playwright was last … Continue Reading →