THE HANGOVER REPORT – Sassy and tender, Laura Winters’ surprisingly pointed ALL OF ME is a tale of boy meets girl, with a twist

This spring, The New Group is presenting the New York premiere of Laura Winter’s new play All of Me at Off-Broadway’s Pershing Square Signature Center. First seen at Barrington Stage … Continue Reading →

THE HANGOVER REPORT – All’s not well in Illyria: Axis Theatre puts on an elegantly truncated, unsettled TWELFTH NIGHT

Cozily tucked in an intimate basement-level performance space in the West Village, you’ll find a terrific Off-Broadway theater company known as Axis Theatre Company, a scrappy institution which over the … Continue Reading →

THE HANGOVER REPORT – Maia Novi navigates multiple realities in her hallucinatory, hyperactive new play INVASIVE SPECIES

Last night, Maia Novi’s Invasive Species opened Off-Broadway at The Vineyard’s Dimson Theatre (the presentation is a commercial rental and is not to be confused for a Vineyard Theatre production). … Continue Reading →

VIEWPOINTS – Addressing modern day anxieties: Abe Koogler’s STAFF MEAL and S. Asher Gelman’s SCARLETT DREAMS

Currently Off-Broadway, you’ll be able to catch a pair of world premiere plays that, in their respective ways, deal with modern day anxieties. Here is my assessment on these new … Continue Reading →

THE HANGOVER REPORT – Led by Eddie Redmayne and Gayle Rankin, London’s hotly anticipated CABARET descends on Broadway, mis-judged

It’s fascinating to gauge how much of a delicate balance live theater can be. For example, take the current Broadway of revival of John Kander and Fred Ebb’s classic musical Cabaret (which … Continue Reading →

THE HANGOVER REPORT – Documentary theater at its best: The National Theatre’s sobering production of GRENFELL at St. Ann’s Warehouse

Last night, I ventured out to St. Ann’s Warehouse in Brooklyn to catch Grenfell: In the Words of Survivors by Gillian Slovo. First presented across the pond at London’s highly … Continue Reading →

THE HANGOVER REPORT – Rachel McAdams is luminous in the Broadway edition of Amy Herzog’s quietly harrowing play MARY JANE

This week, I was able to catch up with the Broadway edition of Mary Jane by Amy Herzog. Presented by Manhattan Theatre Club at the Samuel J. Friedman Theater, the deeply human … Continue Reading →

THE HANGOVER REPORT – From personal to universal: The Bengsons meditate on grief and death in THE KEEP GOING SONGS

Over the past few years, the singer/songwriter duo of Abigail and Shaun Bengson — together known simply as the Bengsons — have become a quiet theatrical force, particularly in the … Continue Reading →

THE HANGOVER REPORT – The Sting “dansical” import MESSAGE IN A BOTTLE uses street dance to convey the refugee experience, to mixed results

This past weekend, I had the chance to take in the new jukebox “dansical” Message in a Bottle by dance theater maker Kate Prince (who is the Artistic Director of … Continue Reading →

THE HANGOVER REPORT – The singular Taylor Mac stars in a spirited revival of Sarah Ruhl’s stage version of ORLANDO, putting the focus on queerness

Just like its title character, Virginia Woolf’s 1928 novel Orlando has withstood the test of time. Beginning as a sort of literary oddity, the piece has proved to be ahead … Continue Reading →