THE HANGOVER REPORT – Hal Linden and Marilu Henner brush off their comedic chops in Ed Weinberger’s retro THE JOURNALS OF ADAM AND EVE

This week, Ed Weinberger’s The Journals of Adam and Eve opened at the Sheen Center for Culture and Thought. The past few years have seen Weinberger — who is perhaps … Continue Reading →


VIEWPOINTS – Summertime in London: A recap of a deep dive in theater-going

This past week, I had the great pleasure of immersing myself in London’s summertime theater and broader performing arts offerings. Based on my weeklong excursion — and in contrast to … Continue Reading →


THE HANGOVER REPORT – Unpacking the grey stuff: Marin Ireland’s PRE-EXISTING CONDITION bravely explores the nuances of domestic violence

I also recently had the opportunity to catch the Off-Broadway production of Marin Ireland’s Pre-Existing Condition, which is currently playing in the intimate upstairs space of the Connelly Theater in … Continue Reading →


THE HANGOVER REPORT – Jonathan Tunick’s enhanced orchestrations sparkle in the starry concert version of A LITTLE NIGHT MUSIC

These past few weeks have been a treat for Stephen Sondheim devotees. In addition to the well deserved triumph of Maria Friedman’s acclaimed revival of Merrily We Roll Along at … Continue Reading →


THE HANGOVER REPORT – Sparks fly when inter-generational political perspectives clash in Mario Correa’s N/A

This week, Mario Correa’s N/A opened Off-Broadway at the Mitzi E. Newhouse Theater at Lincoln Center. The two-hander stars veteran stage and screen actress Holland Taylor (most theater-goers may remember her memorable … Continue Reading →


THE HANGOVER REPORT – FIND ME HERE, Crystal Finn’s quirky family dramedy of manners, concludes Summerworks 2024

Earlier this week, I found myself back at The Wild Project in the East Village to take in Crystal Finn’s Find Me Here, the closer of another successful iteration of … Continue Reading →


VIEWPOINTS – Engrossing political theater: Josh Fox’s THE EDGE OF NATURE and Panti Bliss’s IF THESE WIGS COULD TALK

Over the past week or so, I’ve been engrossed by a handful of works of political theater. On the heels of attending Dark Noon at St. Ann’s Warehouse on Friday … Continue Reading →


THE HANGOVER REPORT – DARK NOON is at once a subversively satiric romp through America’s past and a sobering reckoning

For its summer offering, St. Ann’s Warehouse is presenting the New York premiere of Dark Noon. Created by Danish director Tue Biering and co-directed and choreographed by South African theater-maker Nhlanhla … Continue Reading →


THE HANGOVER REPORT – Little Island begins summer performances with Twyla Tharp’s gloriously unruly HOW LONG BLUES

This summer, Little Island is coming alive with robust live performance programming at its wonderfully-designed amphitheater. Starting things off this June was the premiere of the latest evening-length work by … Continue Reading →


THE HANGOVER REPORT – Into the woods with reid tang’s ISABEL, a surreal dive into the unsettling world gender fluidity

Last night, reid tang’s new play Isabel opened literally on the stage of the Playhouse of Abrons Arts Center in the Lower East Side. A co-presentation by National Asian American … Continue Reading →