VIEWPOINTS – Two more solo shows continue to demonstrate the astonishing versatility of the form: Transport Group’s STRANGE INTERLUDE and John Leguizamo’s LATIN HISTORY FOR MORONS

This past week, I visited two solo shows, continuing to demonstrate the astonishing versatility of the form … David Greenspan is giving perhaps the performance of the season, on- or off-Broadway, in … Continue Reading →

THE HANGOVER REPORT – Christopher Wheeldon’s robust and romantic BRIGADOON at City Center is a revival to swoon over

This week, I attended New York City Center’s gala performance of Lerner and Loewe’s Brigadoon. Last year’s gala produced much excitement, when Jake Gyllenhaal and Annaleigh Ashford led a transcendent Sunday in the Park … Continue Reading →

VIEWPOINTS – THE LAST MATCH and ACTUALLY: A pair of skillfully written and staged plays by Anna Ziegler (but is that enough?)

These are exciting times for playwright Anna Ziegler. This fall in New York, a pair of her plays are receiving expertly-staged productions. Ms. Ziegler first came to my attention about … Continue Reading →

THE HANGOVER REPORT – Brian Friel’s late-career THE HOME PLACE at the Irish Rep slowly simmers to a boil

The current main stage production at the Irish Repertory Theater, The Home Place, is vintage Brian Friel. The late, great Friel, one of Ireland’s great playwrights, is that rare artist … Continue Reading →

VIEWPOINTS – Two solo shows create exspansive theater: Edgar Oliver’s NEW YORK TRILOGY and THE BECKETT TRILOGY starring Conor Lovett

Who says that big things can’t come in small packages? Two solo performances I attended recently have reminded me all over again of the potency of the form to produce … Continue Reading →

THE HANGOVER REPORT – Julia Cho’s intense OFFICE HOUR opens at the Public

This week, Julia Cho’s intense new drama Office Hour opened at the Public Theater. The play tells the story of a college English teacher and her efforts to counsel one of her … Continue Reading →

VIEWPOINTS – STATE OF SIEGE and GRAND FINALE give us timely, if tiresome, glimpses of the apocalypse at BAM

Things have been looking grim at the Brooklyn Academy of Music, where two Next Wave Festival offerings are giving audiences timely glimpses of the apocalypse. Unfortunately, I found both, despite … Continue Reading →

THE HANGOVER REPORT – THE BAND’S VISIT quietly opens on Broadway, triumphantly

Tonight, a significant new musical triumphantly opened at Broadway’s Ethel Barrymore Theatre – David Yazbek and Itamar Moses’ gorgeous, unconventional The Band’s Visit. I had seen this spare, deeply-felt musical … Continue Reading →

VIEWPOINTS – Matthew Bourne’s THE RED SHOES: Thriving at the intersection of dance and theater

One of my “aha” moments in dance was when I first encountered Matthew Bourne’s bold interpretation of Swan Lake nearly two decades ago in London. Using a corps of all-male … Continue Reading →

THE HANGOVER REPORT – John Patrick Shanley’s THE PORTUGUESE KID at once fizzes and fizzles

Last night at City Center, I got a chance to catch up with John Patrick Shanley’s latest play The Portuguese Kid, courtesy of Manhattan Theatre Club. The handsomely-mounted Off-Broadway production, … Continue Reading →