THE HANGOVER REPORT – Elizabeth Baker’s Shaw-lite THE PRICE OF THOMAS SCOTT is lovingly resuscitated by the Mint

Last night, the Mint’s production of The Price of Thomas Scott by Elizabeth Baker opened Off-Broadway at Theatre Row. The staging remains true to the Mint’s mandate – to resuscitate lost plays of the … Continue Reading →

THE HANGOVER REPORT – Despite its inventive staging, Fiasco’s downsized MERRILY WE ROLL ALONG fails to make an impact

Last night, Fiasco Theater’s Off-Broadway revival of Stephen Sondheim and George Furth’s troublesome but much-loved 1984 musical Merrily We Roll Along opened at the Laura Pels Theater, courtesy of Roundabout Theatre … Continue Reading →

THE HANGOVER REPORT – MCP stages an invigorating one night only concert of THE SCARLET PIMPERNEL

Last night at a packed David Geffen Hall (it still feels weird saying that) at Lincoln Center, I caught Manhattan Concert Productions’ one night only semi-staged concert of The Scarlet Pimpernel by Frank Wildhorn … Continue Reading →

THE HANGOVER REPORT – Johanna Day triumphs as JOAN, Stephen Belber’s comprehensive portrait of a woman’s life

Luckily, this weekend, I had a chance to catch the penultimate performance of the Colt Coeur production of Stephen Belber’s ambitious new drama Joan at HERE Arts Center. The play recounts the … Continue Reading →

VIEWPOINTS – ADAM & CITY OF NO ILLUSIONS: Tales of queer refugees, told differently

In the theater, stories of queer (e.g., recent high profile Broadway revivals of Angels in America, The Boys in the Band, and Torch Song) and refugee experiences (e.g., the astonishing The Jungle at … Continue Reading →

THE HANGOVER REPORT – MCC Theater unveils its new Hell’s Kitchen home with Loy A. Webb’s agenda-driven THE LIGHT

For many years now, MCC Theater – one of the major contributors to the Off-Broadway theater scene – has been synonymous with Greenwich Village’s historic and storied Lucille Lortel Theatre. The Lortel is … Continue Reading →

THE HANGOVER REPORT – FREESTYLE LOVE SUPREME is a fast-and-loose evening of improvised hip-hop euphoria

For a pure rush of adrenaline and indisputable bravado, you can’t go wrong with the Freestyle Love Supreme – a fast-and-loose evening of improvised hip-hop euphoria conceived by Thomas Kail, Lin-Manuel Miranda, and Anthony … Continue Reading →

THE HANGOVER REPORT – Transport Group’s stunningly reimagined THE TRIAL OF THE CATONSVILLE NINE is innovative, powerful

This week at the Abrons Arts Center, I caught Transport Group’s revelatory revival of The Trial of the Catonsville Nine by Daniel Berrigan. The production has been given an immersive, boldly heightened staging by Transport Group artistic … Continue Reading →

THE HANGOVER REPORT – In SEA WALL / A LIFE, Jake Gyllenhaal and Tom Sturridge excel in two slight but quietly menacing monologues

Last night, Sea Wall / A Life, a pair of monologues about modern day masculinity through the lens of intense grief by Simon Stephens (who penned the Tony-winning stage adaptation of The Curious … Continue Reading →

THE HANGOVER REPORT – The honey-voiced Carmen Cusack leads the perfectly pleasant Encores! revival of Irving Berlin’s CALL ME MADAM

This past weekend at New York City Center, I attended the closing performance of the weeklong run of the Encores! revival of Call Me Madam. Before becoming the indispensable theatrical … Continue Reading →