THE HANGOVER REPORT – The long-running London hit THE WOMAN IN BLACK gets an intimate staging at the McKittrick Hotel
- By drediman
- January 28, 2020
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Last night at the McKittrick Hotel, I finally attended a performance of Stephen Mallatratt’s adaptation of Susan Hill’s ghost story The Woman in Black. At 30-years-old, the play – which tells the … Continue Reading →
THE HANGOVER REPORT – Bess Wohl’s semi-successful comedy GRAND HORIZONS opens on Broadway, led by the great Jane Alexander
- By drediman
- January 25, 2020
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This week, Second Stage Theater’s production of Grand Horizons by Bess Wohl opened on the Great White Way at the Helen Hayes Theatre. The new comedy was developed in conjunction … Continue Reading →
THE HANGOVER REPORT – James & Jerome’s THE CONVERSATIONALISTS is the storytelling duo’s most theatrical and elaborate creation to date
- By drediman
- January 23, 2020
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James Harrison Monaco and Jerome Ellis – together, simply known as James & Jerome – have emerged in recent years as one of the most idiosyncratic and compelling storytellers in … Continue Reading →
THE HANGOVER REPORT – Eboni Booth’s intensely naturalistic PARIS unsettlingly depicts the desperation of minimum wagers
- By drediman
- January 22, 2020
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Last night, Paris by Eboni Booth (who first came to my attention as an actress in Dance Nation and Fulfillment Center, both exciting new plays) opened Off-Broadway at the bunker-like, subterranean Atlantic Stage … Continue Reading →
THE HANGOVER REPORT – The stage adaptation of MY NAME IS LUCY BARTON starring the quietly authoritative Laura Linney stays true to its novelistic roots
- By drediman
- January 21, 2020
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Last night at the Samuel J. Friedman Theatre, I attended a performance of My Name Is Lucy Barton, Rona Munro’s stage adaptation of the bestselling 2016 novel of the same name by … Continue Reading →
VIEWPOINTS – UNDER THE RADAR: Reviews, Batch 2
- By drediman
- January 17, 2020
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Happily, my week proceeded with continued Under the Radar immersion. Here is my second batch of reviews. NOT I Touretteshero & Battersea Arts Centre (U.K.) On paper, staging Samuel Beckett’s Not I … Continue Reading →
THE HANGOVER REPORT – At the New Victory, CARTOGRAPHY constructively spins the refugee experience
- By drediman
- January 15, 2020
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This past weekend amidst my hectic Under the Radar immersion downtown, I was able to fit in a viewing of Kaneza Schaal and Christopher Myers’ Cartography at the New Victory Theater. I’ve … Continue Reading →
VIEWPOINTS – UNDER THE RADAR: Reviews, Batch 1
- By drediman
- January 14, 2020
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There’s been (somewhat of) a chill in the air, which means it’s time for Under the Radar, the Public Theater’s indispensable annual multi-disciplinary experimental theater festival and certainly one of … Continue Reading →
THE HANGOVER REPORT – Donja R. Love’s unflinchingly honest ONE IN TWO examines a shocking statistic
- By drediman
- January 13, 2020
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This weekend marked the closing of Donja R. Love’s new play one in two, courtesy of the New Group at the Pershing Square Signature Center. In recent years, Mr. Love has … Continue Reading →
THE HANGOVER REPORT – Crackling dialogue and convincing acting distinguish Deb Kirkland’s agenda-driven MSTRIAL
- By drediman
- January 10, 2020
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This week, I had the chance to see Dep Kirkland’s play MsTRIAL Off-Broadway at New World Stages. Mr. Kirkland wrote the legal drama way back in 2002, and it’s just now having its New York … Continue Reading →











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