VIEWPOINTS – The Met and Sondheim, two pillars of the arts, held up amidst the lockdown and celebrated with considerable style

In light of the bleak uncertainty facing the performing arts during the ongoing lockdown, I’ve been inspired by the valiant and nimble efforts of artists (and administrators) to band together and … Continue Reading →

VIEWPOINTS – Streaming Diary: Richard Strauss’s ELEKTRA, Bryony Lavery’s TREASURE ISLAND, George Balanchine’s ALLEGRO BRILLANTE, and Robert O’Hara’s GATHER

Like many performing arts fans out there, I’ve been steadily streaming content to enjoy in lieu of attending live performances (which, pre-pandemic, I used to do pretty much on a … Continue Reading →

VIEWPOINTS – For its new productions of Handel’s AGRIPPINA & Wagner’s DER FLIEGENDE HOLLÄNDER, the Met turns to a pair of tried-and-true directors

Over the last few weeks, the Metropolitan Opera unveiled two new productions. I’m happy to report that both are noteworthy and thought-provoking efforts, the result of two brilliant directors tastefully … Continue Reading →

THE HANGOVER REPORT – A propulsive LA TRAVIATA at the Met, led by a vocally resplendent Aleksandra Kurzak

I recently had a chance to revisit Michael Mayer’s production of Giuseppe Verdi’s La Traviata at the Metropolitan Opera. Upon reassessment, I remain lukewarm to the year-old production and still do miss Willy … Continue Reading →

THE HANGOVER REPORT – Susan Graham returns to New York in a stirring evening-length concert inspired by Schumann’s FRAUENLIEBE UND -LEBEN

Along with millions of other Americans, I have long had a soft spot in my heart for star mezzo-soprano Susan Graham, who this week returned to New York (she now … Continue Reading →

THE HANGOVER REPORT – The Met’s inadvertent concert presentation of Berlioz’s LA DAMNATION DE FAUST proves sonically glorious

This past weekend, I attended the opening performance of the Metropolitan Opera’s inadvertent concert presentation of Berlioz’s La Damnation de Faust. I say inadvertent because the opera company had originally planned to … Continue Reading →

VIEWPOINTS – PROTOTYPE 2020 finds the new opera festival as adventurous and vital as ever

One of the highlights of the frigid winter months in New York is the opportunity to bask in Prototype, the vital annual festival celebrating new opera and music theater. This year’s edition … Continue Reading →

THE HANGOVER REPORT – Alban Berg’s score darkly shimmers in William Kentridge’s disorienting new production of WOZZECK at the Met

Last night, I attended a performance of the new production of Alban Berg’s renegade one-act opera Wozzeck at the Metropolitan Opera. The staging is by renowned South African visual artist William Kentridge, who previously staged Berg’s Lulu and … Continue Reading →

VIEWPOINTS – A pair of loving revivals of Victorian-era works charm audiences over the holidays: THE MIKADO & LONDON ASSURANCE

Also over the holidays, two loving revivals of arguably archaic 19th century British works charmed New York audiences. First in line was The New York Gilbert and Sullivan Players’ new … Continue Reading →

VIEWPOINTS – Memorable holiday performances at Lincoln Center: THE NUTCRACKER, CELEBRATING SONDHEIM, DER ROSENKAVALIER

Over the past few weeks, Lincoln Center provided some iconic entertainment, befitting the holiday season and the storied performance arts complex. At the David H. Koch Theater, I caught two … Continue Reading →