VIEWPOINTS – THE BEST OF 2020: Theater, Music/Cabaret, and Dance

In all respects, 2020 was a stunted year, and few industries was hit harder than the performing arts. Nonetheless, out of the rubble, defiant gems arose – sometimes in the … Continue Reading →

VIEWPOINTS – Facing adversity, together: Bristol Old Vic’s MESSIAH and the Almeida’s NINE LESSONS AND CAROLS

To close out this decimated year, I chose to stream a pair of somber productions from across the pond – both reflective, clear-eyed monuments to an unprecedented 2020. Nowhere in … Continue Reading →

VIEWPOINTS – Streaming Diary: Isaac Gómez’s WALLY WORLD, Mary Zimmerman’s THE STEADFAST TIN SOLDIER, and 54 Below Premieres SONDHEIM UNPLUGGED

First and foremost, I hope everyone is having a happy, safe, and relaxing holiday (all things considered)! Here are my thoughts on the most recent crop of streaming content. WALLY … Continue Reading →

VIEWPOINTS – Streaming Diary: Riz Ahmed’s ferocious THE LONG GOODBYE, Justin Vivian Bond’s Christmas show at Joe’s Pub, and yet another A CHRISTMAS CAROL

As Christmas draws ever nearer, I continue to be pleasantly surprised by the quantity and quality of the streaming content out there. Here are my latest thoughts. THE LONG GOODBYE: … Continue Reading →

VIEWPOINTS – Streaming Diary: Wholesome holiday entertainment via NORM LEWIS’s Christmas show, the Old Vic’s A CHRISTMAS CAROL, and Irish Rep’s MEET ME IN ST. LOUIS

For those of you seeking more traditional, wholesome holiday entertainment, I recommend that you check out the recently-viewed virtual Christmas treats below. NORM LEWIS: CHRISTMASTIME IS HERE!Feinstein’s/54 BelowOn-demand through December … Continue Reading →

VIEWPOINTS – Streaming Diary: Theater companies collaborate to mount THE FLYING LOVERS OF VITEBSK, THIS IS WHO I AM, and I AM SENDING YOU THE SACRED FACE

During the pandemic, theater companies around the world continue to collaborate amongst themselves to produce virtual content at an impressive clip. Here are my thoughts on some recent viewings. THE … Continue Reading →

VIEWPOINTS – Leading performances come up short in Williamstown Theatre Festival/Audible’s otherwise atmospheric A STREETCAR NAMED DESIRE and PHOTOGRAPH 51

To address the quandary of putting together some semblance of a season during a global pandemic, the renowned Williamstown Theatre Festival made the inspired decision to record its lineup of … Continue Reading →

VIEWPOINTS – Five alternative holiday treats to cap off an offbeat year

‘Tis the season for holiday entertainment. Indeed, despite the dearth of in-person performances, there’s no shortage of incoming virtual renditions of The Nutcracker and A Christmas Carol. But given that … Continue Reading →

VIEWPOINTS – Streaming Diary: NYTW & Theater Mitu’s REMNANT, Alvin Ailey’s REVELATIONS REIMAGINED, and Paul Muldoon’s PLAGUEY HILL

As the 2020 holiday season hits its stride (as much as it can this year), my streaming of performing arts content continues uninterrupted. Here are my latest thoughts. </REMNANT>New York … Continue Reading →

VIEWPOINTS – Streaming Diary: Notable recent West End dramas, viewed from home (DEATH OF ENGLAND: DELROY, THREE KINGS, and EMILIA)

This past week, I was able to stream some of the more notable recent stage dramas from across the pond (in addition to the West End transfer of An American … Continue Reading →