THE HANGOVER REPORT – Milo Rau’s FIVE EASY PIECES is a provocative experiment that pushes the envelope

For three performances only this weekend, Milo Rau’s Five Easy Pieces, which has been created in collaboration with the International Institute of Political Murder and Ghent’s CAMPO Arts Centre, played NYU Skirball. Mr. … Continue Reading →

THE HANGOVER REPORT – Matt Williams’ ACTUALLY, WE’RE F**KED is a generic, workmanlike play that’s been polished to a professional sheen

Yesterday, I caught Matt Williams’ new play Actually, We’re F**ked at the Cherry Lane Theatre. The play tells the story of two seemingly normal youngish couples. When infidelity, secrets, and personal fears are … Continue Reading →

THE HANGOVER REPORT – Jorge Ignacio Cortiñas’ enigmatic RECENT ALIEN ABDUCTIONS is tonally uneven, but it got under my skin

This week I caught PlayCo’s production of Jorge Ignacio Cortiñas’ new play Recent Alien Abductions at the Walkerspace in Soho. The mysterious, delicate play tells the story of a young man named … Continue Reading →

THE HANGOVER REPORT – CHICK FLICK THE MUSICAL fulfills its targeted lowbrow aspirations

I had a perfectly pleasant time at Chick Flick the Musical, which opened Off-Broadway this week at the Westside Theatre. The new musical tells the story of four 40-something women who … Continue Reading →

THE HANGOVER REPORT – Bekah Brunstetter’s THE CAKE takes on topical issues in the guise of wholesome comedy

Last night, Bekah Brunstetter’s new play The Cake opened Off-Broadway at New York City Center’s subterranean Stage I, courtesy of Manhattan Theatre Club. The play tells the story of a … Continue Reading →

THE HANGOVER REPORT – Massive “DADDY” issues: Jeremy O. Harris’s ambitious new play provokes as it frustrates

There’s little doubt that Jeremy O. Harris’s searing Slave Play, which ran in the fall at New York Theatre Workshop, would make many people’s list of important new plays of the … Continue Reading →

THE HANGOVER REPORT – National Yiddish Theatre Folksbiene’s distilled, authentic FIDDLER ON THE ROOF is better than ever

Last week, I had the chance to revisit National Yiddish Theatre Folksbiene’s production of Sheldon Harnick and Jerry Bock’s classic musical Fiddler on the Roof at Stage 42, where it has recently transferred for a … Continue Reading →

THE HANGOVER REPORT – John Logan and Tom Kitt’s higly anticipated SUPERHERO is curiously pedestrian

One of the most affecting musicals written thus far this century is Tom Kitt and Brian Yorkey’s cathartic Pulitzer Prize-winning Next to Normal. Additionally, one of the most successful plays … Continue Reading →

THE HANGOVER REPORT – Jackie Sibblies Drury’s thrillingly realized MARYS SEACOLE is dazzling, challenging theater

One of the most exciting plays of last year was Fairview, Jackie Sibblies Drury’s audacious examination of the African American identity and a wild– and wildly successful – experiment in … Continue Reading →

VIEWPOINTS – The mostly splendid revivals of Lynn Nottage’s BY THE WAY, MEET VERA STARK and Athol Fugard’s BOESMAN AND LENA light up Signature’s winter season

With last night’s opening of Athol Fugard’s Boesman and Lena, Signature Theater Conpany now has a pair of mostly splendid Off-Broadway revivals under its roof at the Pershing Square Signature Center, continuing … Continue Reading →