THE HANGOVER REPORT – Playing Beethoven and Janáček, the workmanlike CLEVELAND ORCHESTRA proves its status as one of the greats
- By drediman
- March 19, 2025
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This week, the world-class Cleveland Orchestra has returned to Carnegie Hall for two performances only. Last night’s first concert was substantially modified when up-and-coming Lithuanian soprano Asmik Grigorian withdrew — … Continue Reading →
THE HANGOVER REPORT – Dynamic incoming music director Gustavo Dudamel conducts the NY PHILHARMONIC, indicating riches to come
- By drediman
- March 16, 2025
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This weekend at David Geffen Hall, I had the great pleasure of catching superstar conductor Gustavo Dudamel lead the New York Philharmonic. There’s much hype about the incoming music director’s … Continue Reading →
THE HANGOVER REPORT – Soprano Lise Davidsen and conductor Susanna Mälkki gorgeously lead Bethoven’s FIDELIO
- By drediman
- March 13, 2025
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Certainly one of the highlights of the Metropolitan Opera’s 2024/2025 season thus far is the current revival of Beethoven’s Fidelio (for the record, my other highlights of the Met season … Continue Reading →
THE HANGOVER REPORT – Dead behind the eyes: Assessing Anne Imhof’s massive, immersive, and multidisciplinary DOOM: HOUSE OF HOPE
- By drediman
- March 11, 2025
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This past weekend, I had the opportunity to take in Anne Imhof’s highly anticipated Doom: House of Hope at the Park Avenue Armory. To be sure, Imhof’s latest project — … Continue Reading →
THE HANGOVER REPORT – Playing with drama and discipline, the Pappano-led LONDON SYMPHONY ORCHESTRA triumphantly returns to Carnegie Hall
- By drediman
- March 6, 2025
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After a hiatus of two decades, the great London Symphony Orchestra makes a highly anticipated return to Carnegie Hall this week for two performances only. As led by newly-appointed music … Continue Reading →
THE HANGOVER REPORT – Jake Heggie‘s distilled operatic adaptation of MOBY-DICK powerfully launches the Met’s spring season
- By drediman
- March 4, 2025
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Last night marked the opening of the Metropolitan Opera’s new production of Moby-Dick — Jake Heggie and Gene Scheer’s powerful adaptation of Herman Melville’s iconic literary work — launching the … Continue Reading →











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