THE HANGOVER REPORT – At 54 Below, the fabulous Tony-winner MELBA MOORE goes down memory lane

This week, the great Melba Moore returned to 54 Below with the latest iteration of her show From Broadway, With Love. For two performances only (the second show is tonight), … Continue Reading →

THE HANGOVER REPORT – Dave Malloy’s singular GHOST QUARTET returns in a gorgeously reimagined outdoor staging at Green-Wood Cemetery

This past weekend at the gorgeous Green-Wood Cemetery in Brooklyn’s Sunset Park neighborhood, I was able to catch the brief return of the singular song cycle Ghost Quartet, Dave Malloy’s … Continue Reading →

THE HANGOVER REPORT – In THE COMET/POPPEA, operatic worlds collide in logistically impressive if dramatically bemusing fashion

There was much anticipation surrounding the New York premiere of The Comet/Poppea, essentially a mash-up of two operas — Monteverdi’s 1643 Baroque masterpiece L’Incoronazione di Poppea and George Lewis’s 2024 … Continue Reading →

THE HANGOVER REPORT – At 54 Below, CHICAGO celebrates 50 years with cast members of the original 1975 production and 1996 revival

Last night over at 54 Below, I attended the aptly titled Dancers Over 40 Celebrates the 50th Anniversary of Chicago. Co-produced by young impresario Charles Kirsch and Dancers Over 40 … Continue Reading →

THE HANGOVER REPORT – THE MET ORCHESTRA returns to Carnegie Hall with the sublime orchestral colors of an all-Strauss bill

The Metropolitan Opera’s 2024/2025 season may have officially concluded over at Lincoln Center, but the Met Orchestra continues on with a pair of June performances at Carnegie Hall. The first … Continue Reading →

THE HANGOVER REPORT – The more the merrier: SETH SIKES & FRIENDS celebrate Judy Garland’s 103rd birthday in style at 54 Below

Last night at 54 Below, Seth Sikes and a few of his cabaret colleagues celebrated the iconic Judy Garland’s birthday in style. Appropriately billed as Seth Sikes and Friends Celebrate … Continue Reading →

VIEWPOINTS – John Adams’ operatic adaptation of ANTONY AND CLEOPATRA faithfully channels Shakespeare but makes for unfocused opera

This week at the Metropolitan Opera, I finally caught up with John Adams’ operatic adaptation of Shakespeare’s Antony and Cleopatra. Adams’ new two act opera follows in the footsteps of … Continue Reading →

VIEWPOINTS – June is bustin’ out all over: Ten shows to see this Pride Month

After a dreary, rainy lead-in, can you believe we’ve once again found ourselves in sunny June? That means Pride Month is upon us! In no particular order, here are my … Continue Reading →

VIEWPOINTS – The old and the new guard at 54 Below: UTE LEMPER sings Kurt Weill, ANNA ZAVELSON & HENRY PATTERSON epitomize youthful optimism

Over the past week or so, I’ve augmented my regularly scheduled performing arts programming to take in some wonderful cabaret entertainment at 54 Below. Read on for my thoughts on … Continue Reading →

THE HANGOVER REPORT – Dudamel returns, incisively leading the NY PHILHARMONIC in an homage to the symphonic form

To the delight of many music fans, the New York Philharmonic’s incoming music director Gustavo Dudamel has returned to close out the orchestra’s 2024/2025 season. The first of these Dudamel-led … Continue Reading →