VIEWPOINTS – A recent crop of divergent solo performances fearlessly peer into the soul the artist

Solo performances, particularly autobiographical ones, can be sacred experiences for all concerned. The act of opening oneself up so that others can observe one’s deepest fears and sensitive vulnerabilities takes tremendous … Continue Reading →

THE HANGOVER REPORT – The Met’s stylish new production of Rossini’s epic GUILLAUME TELL impresses with its superb cast

It’s been about 85 years since The Metropolitan Opera has staged Guillaume Tell, Rossini’s epic 39th and final opera. With the quality of the cast that the mighty Met has … Continue Reading →

THE HANGOVER REPORT – KRISTIN CHENOWETH’S love letter to Broadway is sweet and sassy

Kristin Chenoweth is at an interesting juncture in her career – no longer Broadway’s brassy ingénue, and not quite ready to graduate to a more mature persona. Therefore, why not put … Continue Reading →

THE HANGOVER REPORT – Despite an ailing singer, last night’s searing performance of JENUFA at the Met was the perfect Halloween treat

While folks were out trick or treating last night, I spent my Halloween at the Metropolitan Opera, where I caught a searing performance of Leoš Janáček’s Jenufa. Appropriate for the … Continue Reading →

THE HANGOVER REPORT – MasterVoices celebrates its 75th season with Ricky Ian Gordon and Royce Vavrek’s delicious and accessible 27

This past weekend, I attended one of the two performances of Ricky Ian Gordon and Royce Vavrek’s 27 at New York City Center, courtesy of MasterVoices, which this season is … Continue Reading →

THE HANGOVER REPORT – Company XIV’s PARIS! is one of its most riotously entertaining outings yet

I think of Company XIV shows in the same way I do of those Cirque du Soleil extravaganzas. Once you’ve seen one of them, viewings of subsequent shows start to … Continue Reading →

THE HANGOVER REPORT – The Met’s trenchant new TRISTAN AND ISOLDE takes its audiences on a pitch black journey into the unknown

Last night, I caught up with the Metropolitan Opera’s trenchant and ultimately transcendent new production of Wagner’s Tristan und Isolde. The challenging new staging, by Warsaw-based director Mariusz Trelinski, has … Continue Reading →

THE HANGOVER REPORT – Anne Teresa De Keersmaeker’s VORTEX TEMPORUM manifests the relationship between dancers and musicians at BAM

This past weekend, I returned to the Brooklyn Academy of Music to catch Anne Teresa De Keersmaeker’s Vortex Temporum, a dance set to spectral composer Gérard Grisey’s shimmering, tension-filled score … Continue Reading →

THE HANGOVER REPORT – Kaija Saariaho’s CIRCLE MAP dares us to encounter music in a new way, and succeeds

I’ve long been fascinated by the intersection between space/perspective and performance. What better venue in New York, really, than the cavernous Park Avenue Armory, particularly its 55,000 square foot drill … Continue Reading →

THE HANGOVER REPORT – The Lyric Opera of Chicago presents a magisterial new production of DAS RHEINGOLD

The Lyric Opera of Chicago opened its 2016-2017 season in sensational fashion with a magisterial new production of Richard Wagner’s Das Rheingold helmed by respected British director David Pountney. The … Continue Reading →