THE HANGOVER REPORT – Stephen Karam’s astonishing THE HUMANS opens on Broadway, and it’s easily the best play of the season

Earlier tonight, Stephen Karam’s extraordinary family drama The Humans opened on Broadway at the Helen Hayes Theatre. When I saw an early preview performance of the play last fall at the … Continue Reading →

VIEWPOINTS – MTC’s winter season gives us two personal, beautifully-acted portraits of unmoored, headstrong lives

This winter, Manhattan Theatre Club is offering audiences a pair of compelling, albeit flawed, plays from two of our most respected playwrights. What these plays have in common is that … Continue Reading →

VIEWPOINTS – The legacy of Jerome Robbins burns brightly

Legendary director-choreographer Jerome Robbins is responsible for some of the most iconic stage pictures in musical theater history. Just try to imagine Broadway without the image of three sailors exuberantly … Continue Reading →

THE HANGOVER REPORT – Christopher Wheeldon’s brilliant THE WINTER’S TALE warms and chills the heart

There have been some memorable ballet adaptations of Shakespeare plays: Kenneth MacMillan’s Romeo and Juliet, George Balanchine’s A Midsummer Night’s Dream (Frederick Ashton also adapted the play into the classic … Continue Reading →

THE HANGOVER REPORT – Roundabout’s NOISES OFF hilariously lives up to its reputation

Michael Frayn’s Noises Off has been famously touted the funniest play ever written. Now that’s quite a statement to live up to. Indeed, in the wrong hands, Mr. Frayn’s farce-within-a-farce … Continue Reading →

THE HANGOVER REPORT – Steve Martin and Edie Brickell’s BRIGHT STAR sounds great but struggles to tell its story

I recently had a chance to take a sneak peak at the Broadway-bound Bright Star, a new – but old fashioned – musical by Steve Martin and Edie Brickell, at … Continue Reading →

THE HANGOVER REPORT – A pair of closing performances displays the highs and lows of dance

Yesterday afternoon at Lincoln Center’s David H. Koch Theater, I was lucky enough to squeeze in the final performance of New York City Ballet’s much admired (and rightfully so) version … Continue Reading →

VIEWPOINTS – The recent crop of new musicals proves the elusiveness of the art form

When developing a new musical, some sort of alchemy and luck are invariably involved. That’s because there really is no set formula when it comes to creating an artistically and/or … Continue Reading →

THE HANGOVER REPORT – Pacino crashes and burns in Mamet’s disappointing CHINA DOLL

I recently had a chance to catch David Mamet’s hollow new two-hander China Doll starring the legendary Al Pacino – who plays a successful, scrappy businessman who finds himself in … Continue Reading →

VIEWPOINTS – Musical revivals that have something new to say

Over the last few months, I had a chance to catch a quartet of revisionist musical revivals that made me sit up and pay attention to material I thought I … Continue Reading →