VIEWPOINTS – Halloween treats: Live performances that are bound to tickle the ghoul within

With Halloween fast approaching, what better way to immerse yourself in the ghostly holiday than by attending a live performance to tickle ghoul within? Luckily, New Yorkers have a slew … Continue Reading →

VIEWPOINTS – Bromance is in the air: Taking a look at the much hyped Broadway revivals of WAITING FOR GODOT and ART

This fall, bromance is in the air, as evidenced by the much hyped Broadway revivals of a pair of well-trodden plays that explore male friendships in depth. These would be … Continue Reading →

VIEWPOINTS – Solo shows that go beyond tickling the funny bone: Jeff Ross’s TAKE A BANANA FOR THE RIDE and Morgan Bassichis’ CAN I BE FRANK?

I recently had the opportunity to take in a pair of (ultimately) introspective solo shows that go beyond simply tickling the funny bone. As always, read on below for my … Continue Reading →

THE HANGOVER REPORT – Here we go again: MAMMA MIA! returns to Broadway, once again spreading its bombast and balm

This August, one of musical theater’s most iconic jukebox musicals has returned to Broadway. That would be the megahit Mamma Mia!, which has re-opened at the Winter Garden Theatre, the … Continue Reading →

THE HANGOVER REPORT – Jean Smart cuts deep as an aspiring writer in Jamie Wax’s otherwise pedestrian solo show CALL ME IZZY

Last night, Jean Smart (perhaps most recognizable to audiences as Deborah Vance in Hacks or Charlene Frazier in Designing Women) consummated her return to the boards of the Great White … Continue Reading →

VIEWPOINTS – June is bustin’ out all over: Ten shows to see this Pride Month

After a dreary, rainy lead-in, can you believe we’ve once again found ourselves in sunny June? That means Pride Month is upon us! In no particular order, here are my … Continue Reading →

VIEWPOINTS – Revisiting classic musicals: Encores! revival of WONDERFUL TOWN and Roundabout’s rejiggered PIRATES! THE PENZANCE MUSICAL

This spring, two productions of well known musicals attempt to make a case for arguably creaky material, thereby exhibiting just how much leeway there is in the act of reviving … Continue Reading →

VIEWPOINTS – Were they worth it?: The stars jack up the prices for Broadway’s OTHELLO, GLENGARRY GLEN ROSS, and GOOD NIGHT, AND GOOD LUCK

Currently on Broadway, a trio of plays have been criticized for capitalizing on the A-list actors starring in them, jacking up ticket prices to levels inaccessible to most theatergoers. Here … Continue Reading →

THE HANGOVER REPORT – STRANGER THINGS: THE FIRST SHADOW is the theatrical equivalent of a summer Hollywood blockbuster

Last night at the Marquis Theatre, I caught up with the Broadway transfer of the theatrical prequel to the hit science fiction television series Stranger Things. Entitled Stranger Things: The … Continue Reading →

THE HANGOVER REPORT – The dutiful musical version of REAL WOMEN HAVE CURVES has ample heart and melody

Over at the James Earl Jones Theatre, you’ll find the latest incarnation of Josefina López’s 1990 play Real Women Have Curves — this time around, it’s the musical version of … Continue Reading →